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Garlic Study

Garlic - Study 1

It ‘s hard to find painting time these days. Preparations for Thanksgiving, birthday parties and Halloween have all eaten into my painting time. I have finally finished my little garlic study. It has turned out a little moodier than I had planned, but overall, I am happy with it. I did struggle a bit – trying to decide how much of the underlying colour to keep and how white to make the garlic. Surprisingly, the area I had the most fun painting is the small area of plaid cloth in the foreground. I might have to try more of that.

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Summer Produce

Summer Produce 11" x 14"

As I write this post it is chilly and has been drizzling all afternoon. It is getting dark, and it’s only 6:15. This painting takes me back to a hot August day when we drove to the farm. As you can see, we brought home a little bit of everything. The most exciting find on that day was the garlic – both for the taste and the look of it. It is so much fun to paint. At first glance, it is white. But if you look more closely, it has all kinds of beautiful undertones: purple, pink, blue and yellow. I am tempted to try another study of this garlic so I can play with the intensity of these colours. But on this cold, rainy night, I am happy to be having it on my pizza.

Small Town Highrise

Small Town Highrise
This is the grain elevator in my hometown of Mayerthorpe, Alberta. It’s the second time I’ve painted it. The first one I painted recently found a home with a long-time friend— you can see it here. This elevator was built in 1929 and is now a historical sight.

P.S. I just had to include a link to these great cardstock elevator sculptures (including Mayerthorpe)—check out this blog Vanishing Sentinels.

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Practice with Yellow

Yellow Zucchini - 10" x 10"

I don’t think I’ve painted anything so yellow before. I know I haven’t, because I have had the same tube of cadmium yellow light in my paintbox for a couple of years and haven’t had to replace it. Today I am off to the art store to get some more.

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Autumn Poplars and photo reference

This is my second post comparing a painting to the photo I painted it from.

This one was done a few years ago. It is interesting to me to look at older work, because it always seems like it was done by someone else. I do remember working on this painting, but I can’t remember how or why I decided to use that vibrant purple, both in the foreground and background. But I’m glad I did, because I think it works. If I did this same painting today, I would probably make different colour choices. It worries me that I’m not as adventurous with colour as I used to be. I know that my style will evolve and change (hopefully in a good way), but I have to remind myself to be open to the happy accidents that can happen, and not to be afraid to experiment.

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Lily Leaves

Lily Leaves - 10" x 10"

Some people paint flowers, but I seem to be more interested in the leaves. I am quite happy with how this painting turned out. My husband suggested that the dramatic lighting and the pebbly bottom make it look like an aquarium and that adding a neon tetra swimming in the foreground would make it perfect. Helpful, isn’t he?

Anyway, I am happy with the dramatic, moody feeling. (And will not be adding any fish).

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Stuck on Potatoes

Potato - study 1

It seems like it has taken forever for me to finish this painting. Not that I’ve been working on it much – just looking, trying to decide what to do with it. I’m not quite happy with it, but I don’t know what to change. I’ve tried a few things and now I feel like it’s on the verge of being overworked. I think the best thing to do now is to move on to another painting.

I have a couple of ideas. We stopped at the farm the other day and got some colourful zucchinis and beautiful (and tasty) garlic that will definitely end up in a painting. Just look at it:

I would also like to do a little study of tiger lily leaves that I’ve been noticing around my neighbourhood. I like how some curve around perfectly and how others seem to reach the ground by bending at a series of angles – and the pattern of shadows they all make together. I am really drawn to the patterns of nature and how they can be random and organized at the same time. Time to go sketch out some ideas.

Small Reminders

As you can see, I have been attempting to get some work done on the potatoes. Although I am not ready to comment on my progress just yet, I thought I could talk a little about my work environment.

Our apartment is not very big, so if I want to paint, I have to paint in the kitchen. Slightly inconvenient, but not a big deal. A bigger challenge is trying to find the time to paint with two small children in the house, especially in the summer when they are not in school/preschool. Usually I can find some time in the evenings. Or, like yesterday, if the kids are playing well, I often pull out my paints and attempt to get something done.

Invariably, I get in about 10 minutes of work before someone comes in and says, “Mommy, can I paint?” Of course the answer must be yes, so I get out the watercolours. Then they ask for stamps, then they take out the stencils, and lastly, the markers. They get lots of art done. I try to get a bit done too, amidst the chatter and activity. As distracting as they can be, the kids approach to art offers me some important reminders. The easy way they work with the materials reminds me not to take myself or my work too seriously. Their joy in the experimentation reminds me not to be too safe with my art. I should be trying new things as fearlessly as they do – just to see what might happen.

One day I hope to have a studio of my own where I can really focus on my art. And I will happily share it.

Studying Strawberries

Strawberries - study 1

So here is my study of the strawberries. I finished it last week and it is now in the show at Small Ritual.

I don’t usually work this small (8” x 8”), but it allowed me to really focus in on the berries (which is the whole point of the study, isn’t it?). This small size felt freeing to me. There wasn’t the usual burden of expectation of a larger painting. If it worked, fine. If not, well it only took a few hours. It also reminded me of the frame of mind I should always have when painting, and that’s to think of every painting as a study. It really takes the pressure off and let’s me enjoy the process, rather than getting too concerned with the end result. (Easier said than done).

Anyway, about the strawberries… I am happy with how this turned out, but perhaps if I do another one I would try to loosen up a little. I had intended for my reds to be brighter and to have a more expressive brush stroke. It’s funny how the painting seems to have its own direction, separate from my intentions. Now it’s time to move on to potatoes!

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Small Ritual

Yesterday I put up 16 paintings at the Small Ritual Coffee Society — a relaxed, neighbourly coffee shop in White Rock. We had the opening yesterday evening.

Music was played. Coffee was enjoyed.

The crowd

Checkers were played.

Me, relaxing after the work was done.

The art work will be up through the month of August, so stop by for a coffee if you get a chance.

I love the book shelf - take one, leave one.

Maxine Wolodko Artwork